No one saved me, because I saved myself.
DO YOU REALIZE THAT STILES STILINSKI INSTEAD OF TRYING TO SCAPE FROM THE WILD HUNT AND SAVE HIMSELF , HE DECIDED TO JUST GIVE UP BECAUSE TRYING TO SCAPE WOULD MEAN PUT LYDIA IN DANGER, HE WAS RATHER TO SPEND THOSE LAST SECOND CONFESSING HIS UNDYING LOVE FOR HER AND KEEPING HER SAFE THAN SAVING HIS OWN LIFE, HE LITERALLY PUT HER SAFETY OVER EVERYTHING EVEN IF THAT MEANT THAT SHE WAS GOING TO FORGET HIM FOREVER
THIS FUCKED ME UP
YOU FUCKED ME UP
About May’s “We all have our traumas, but none of us turned into psychopaths” line.
One: Can everyone on this show please stop throwing around the word ‘psychopath’ willy-fucking-nilly? I do not think it means what you think it means.
Two: Yes, you all have our traumas, but unlike Grant, you had a solid support system to carry you through yours, and make sure that there was no serious risk of succumbing to them, or being made vulnerable to actual psychopaths because of them.Like, I’m just saying, there’s a profound difference in the circumstances here that no one is acknowledging.
Oh but don’t you see, May is a good victim while Ward is a bad victim.
*facepalm*
Like, I fervently hope that was biased, narrow-minded May talking and not biased, narrow-minded writers.
Well, now we know.
Slave gravesite in New York City
“SOMETHING YOUR TOUR GUIDE MIGHT NOT TELL YOU:
The heart of NYC’s Financial District is built on a huge 18th century African Burial Ground. Some 419 Africans were discovered in 1991, a large portion women and children.
The burial ground extends from Broadway Southward under City Hall, and almost to the site of the former World Trade Center. It is believed that there are as many as 20,000 slavery-era Africans in graves under the buildings in Lower Manhattan.
Abolish historical amnesia and ponder for a moment the fact that this financial epicenter of the world is built on slavery, oppression, and death.”
Literally, and daily.
yo. that last sentence hits you in the face like a brick.
Little do they know that NYC was built on slave labor.
did acting ever feel like a viable career for you growing up? no! [laughs] i was raised in a small city called mishawaka in indiana. there weren’t a lot of options for actors. i was interested in acting at school, definitely, but it didn’t seem like a great career option, more a lofty idea. to say it didn’t enter my mind is a lie, though. when i was 17 i graduated high school early and thought, ‘i’m going to move to california and become an actor,’ like all those success stories in the movies. so i loaded up my 1990 lincoln town car with, like, $200 - again, like in the movies - and started to drive across the country. my car broke down on the way and i had to walk five miles into amarillo, texas, to get parts to fix the car. i spent nearly all the money. i wound up spending 48 hours in santa monica, not even real la, and thought, ‘this isn’t working out’ so i drove all the way back to indiana. it was an amazing road trip, but a total failure.
The Song of Achilles // “We were like gods at the dawning of the world, and our joy was so bright we could see nothing else but the other”